I know, you're thinking the song you do not give a damn, you can also do without it starting. But no, because as you want to read this blog, you also want to press the 'play' of the player. is an integral part of the blog, and no less important, indeed.
Next! Move!
Bravo.
However, what can I say? Now that school has started and we are all depressed and mangled. Eh, why it is so, but we do not give a damn, why do not you want to talk about here.
Today I propose an artist. Why this huge book browsing at the Venice Biennale, of things worth noting there are, and since the last time, instead of talking about the show, I spoke of those elements that attend the shows, I'd say it ; to remedy the case.
Last time I also specified that are not the kind of person who speaks of visual art, because I prefer the silence of this type.
Not for nothing, now I will propose that an artist does not just visual art, or at least, not traditionally understood
Her name is Yoko Ono (matuguardachestranoun'altragiapponese ...), which in fact you had proposed at the end of the previous blog, but I do not think actually, if someone is spun. In fact, you just thought 'this is stupid'. Well, I'm glad! This dear
ragazzuola (so to say given the age), was born in Tokyo (Japan) in 1933. Lives and works in New York, USA. What
of Ono is nothing short of original work, which has led it to establish itself in the vanguard and experimental art for the past 50 years.
His instruments of art in fact, not as one might think of an artist, brushes, colors, and things like that.
No, absolutely not, she uses the word as a primary, forcing what is the traditional, and also the material.
His strong point in fact, are those which she called 'Istruction pieces'.
What the hell are they? They are simple (?) 'Instructions' typed-first Japanese, then translated into English-arranged in the same way that you install a traditional painting.
of Ono's work is not in the aesthetics of these 'Istruction pieces', but in its meaning.
spettatole They force him - or rather, the reader-to strain the imagination, to create a new conceptual space, another conception of art, a work of self-realization.
The player will continue, through his imagination and atraverso all that is suggested by the instructions of Ono, his work, using only that material that is ephemeral and malleable human perception.
so doing, created a tradition of artistic and philosophical concepts.
I show you now, some of these instructions, in English, because I find that the effect and what the word refers to the imagination, has a very different impact than the Italian.
Then if you do not understand a shit, is un altro discorso.
City piece I
Find a spot that is comfortable for you.
Keep the spot clean.
Think about the spot when you are away
Y.O. 1996
Painting to exist only when it's
copied or photographed
Let people cory or photograph your
Paintings.
Destroy the originals.
1994 Spring
Painting to see the skies.
Drill two holes into a canvas.
Hang it where you can see the sky.
(Change the place of hanging.
Try Both the front and the rear
Windows, to see if the skies are
Differents.)
1961 Summer
Walking piece
Walk in the footsteps of the person in front
.
1. On the ground
2. In mud
3. In snow
4. On ice
5. In water
Try not to make sounds.
YO Sping 1964
You think it's a stupid thing?
Well, you have an imagination to say the least painful.
优
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